tag:blogger.com,1999:blog-87947759979769820872024-03-13T02:36:40.357-07:00The Fashion Historian Polly GuerinPolly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.comBlogger67125tag:blogger.com,1999:blog-8794775997976982087.post-61090362233916338272016-11-30T09:40:00.003-08:002016-11-30T09:40:38.574-08:00MASTERWORKS: Unpacking Fashion at The Metropolitan's Costume Institute: Review by Polly Guerin<h3 class="m_6945757542481179957gmail-post-title m_6945757542481179957entry-title" style="background-color: #f6f6f6; color: #9e5205; font-family: verdana, sans-serif; font-size: 20.8px; font-stretch: normal; letter-spacing: -1px; margin: 0px;">
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<tr><td class="m_6945757542481179957gmail-tr-caption" style="font-family: arial, sans-serif; font-size: 10.4px; margin: 0px; text-align: center;">Ball Gown, Viktor & Rolf spring/summer 2010</td></tr>
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<b><i>Why does fashion matter? Andrew Bolton, curator in charge of the Anna Wintour Costume Center at The Metropolitan Museum of Art says it all, "Our mission is to present fashion as a living art that interprets history, becomes part of the historical process, and inspires subsequent art. Over the seven decades since The Costume Institute became part of The Met in 1946, our collecting strategy has shifted from creating a collection of Western high fashion that is encyclopedic in breadth to one focused on acquiring a body of masterworks."</i></b><br /><b><i> The Costume Institute's fall 2016 exhibition, MASTERWORKS: Unpacking Fashion features significant acquisitions of the past 10 years and explores how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designer who have changed the course of fashion history and advanced fashion as an art form The exhibition runs through February 5, 2017. <span style="color: red; font-size: xx-small;">Image: Self-proclaimed "fashion artists" Viktor & Rolf celebrates their distinct brand with this blue polyester tulle and black silk-synthetic moire embroidered with white plastic sequins from their "Credit Crunch Couture" collection. The striking sculptural form subverts the tradition of a feminine 1950's-style dress bisecting densely stitched clouds of tulle with a flourish intended to evoke the swipe of a chainsaw.</span></i></b><br /><b><i><span style="font-size: xx-small;"> </span> <table cellpadding="0" cellspacing="0" class="m_6945757542481179957gmail-tr-caption-container" style="float: right; margin-bottom: 0.5em; margin-left: 1em; padding: 4px; text-align: right;"><tbody>
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<tr><td class="m_6945757542481179957gmail-tr-caption" style="font-family: arial, sans-serif; font-size: 10.4px; margin: 0px; text-align: center;">Maison Margiela ensemble with Red Coat 1787-92 </td></tr>
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Some newly acquired objects are paired with pieces already in the collection to illustrate the enduring influence of certain master couturiers and iconic historical silhouettes. In this Maison Margiela ensemble, (left) John Galliano reinterprets the eccentric dress of dandified young men in post-revolutionary France. The historical influence is evident in the high collar, oversized lapels, and exaggerated coattails, which have been transformed into trailing lengths of silk chiffon. (right) The red wool broadcloth coat from France (1787-92) was worn by raffish young men known as the Incroyables (Incredibles), whose tightly fitted fashions took on extreme proportions. The high, turned-down collar, narrow sleeves, and sharply curved coat fronts create the impression of an elongated figure.</i></b><br /><b><i> <table cellpadding="0" cellspacing="0" class="m_6945757542481179957gmail-tr-caption-container" style="float: left; margin-bottom: 0.5em; margin-right: 1em; padding: 4px;"><tbody>
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<tr><td class="m_6945757542481179957gmail-tr-caption" style="font-family: arial, sans-serif; font-size: 10.4px; margin: 0px; text-align: center;">Heidi Slimane spring/summer 2014</td></tr>
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</i></b><br /><b><i> A selection of Charles James structured ball gowns draws attention as do numerous examples of creations by contemporary designers including Yohji Yamamoto, Alexander McQueen and Comme des Garcons.</i></b><br /><b><i> Yves Saint Laurent's scandalous 1971 "Liberation" collection featured signature elements of 1940's fashion. (right)The dress at center with a print of bright red lips against a black background belongs to the ready-to-wear interpretation of the collection. (left) In 2014 Yves Saint Laurent creative director Heidi Slimane revived the iconic motif in a white silk crepe blouse, embroidered with lip motifs in white iridescent and red plastic sequins and black glass beads, trousers black wool gabardine.</i></b><br /><b><i> The exhibition is a fascinating If the holidays prove too hectic for you, take this option. The exhibition is featured om the Museum's website, as well as on Facebook, Instagram and Twitter using #FashionMasterworks.</i></b><br /><b><i> Ta Ta Darlings!!! Fan mail is always welcome at <a href="mailto:pollytalknyc@gmail.com" style="color: #1155cc;" target="_blank">pollytalknyc@gmail.com</a>. Visit Polly's Blogs at <a data-saferedirecturl="https://www.google.com/url?hl=en&q=http://www.pollytalk.com&source=gmail&ust=1480613563856000&usg=AFQjCNETXImCl-Ql5guUzvJrxGus4buWlw" href="http://www.pollytalk.com/" style="color: #1155cc;" target="_blank">www.pollytalk.com</a> and click in the left hand column to Blogs on visionary men, women determined to succeed, poetry from the heart.</i></b></div>
Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-32518598132108725572016-09-27T07:24:00.002-07:002016-09-27T07:24:45.094-07:00Proust's Muse: THE COUNTESS GREFFULHE: Review by Polly Guerin<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;">
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<tr><td style="font-family: arial, sans-serif; font-size: 12.8px; margin: 0px; padding-top: 4px; text-align: center;">Elisabeth de Caraman-Chimay, the Countess Greffulhe</td></tr>
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<b style="color: black; font-family: 'times new roman'; font-size: medium;">With Celebrity recognition The Museum at FIT's exhibition, introduces Proust's Muse, Elisabeth de Caraman-Chimay, the Countess Greffulhe (1860-1952). A famous beauty, she was known for her "aristocratic and artistic elegance, a fashion icon comparable to Daphne Guinness today. </b><div style="color: black; font-family: 'times new roman'; font-size: medium;">
<b> The exhibit showcases some 40 garments and accessories once owned by the celebrated beauty, fashion icon, and patron of both arts and sciences.The Countess Greffulhe patronized the greatest couturiers of her day, Worth, the founder of the French Haute Couture, principal among them, known for the use of exquisite, and lush textiles.</b></div>
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<b> "The Countess Greffulhe believed in the artistic significance of fashion, " says Dr. Valerie Steele, director and chief curator of The Museum at FIT. "And although she patronized the greatest couturiers of her time, her style was very much her own. Today, when fashion is increasingly regarded as an art form, her attitude is especially relevant."</b></div>
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<tr><td style="font-family: arial, sans-serif; font-size: 12.8px; margin: 0px; padding-top: 4px; text-align: center;">House of Worth Lily Dress, Photo by Paul Nadar</td></tr>
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<b>THE PROUST CONNECTION When Proust wrote his novel In Search of Lost Time (A la recherche du temps perdu), the Countess Greffulhe inspired his immortal character Oriane, The Dutchesse de Guermantes, of whom he wrote, "Each of her dresses seemed like the projection of a particular aspect of her soul." The Countess Greffulhe, like her counterpart. the novel's Duchesse de Guermantes, represented for Proust, the aristocrat as a work of art. "But elements of her style," noted Valerie Steele, "also influenced characters as diverse as the courtesan Odette de Crecy (later Madame Swann) and the Narrator's bourgeois lover, Albertine." <span style="color: red; font-size: x-small;">Image right: "Lily Dress," 1896, attributed to Worth, black velvet application of ivory silk in the form of lilies, embroidered with pearls and sequins. But the Countess clearly contributed to ideas about its design and decoration. </span></b></div>
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<b>The motif of the lilies refers to a poem in her honor by the dandy-poet Robert de Montesquiou, who served as the main inspiration for another of Proust's characters, the Baron de Charlus. In her correspondence with Montesquiou, Elisabeth Greffulhe confessed, "I don't think there is any pleasure in the world comparable to that of a woman who feels she is being looked at by everybody, and has joy and energy transmitted to her." </b><b> </b><b>THE COUNTESS'S AUDACIOUS STYLE</b></div>
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Another highlight of the exhibition is an exotic emerald green and blue "robe d'interieur"(1897) which epitomizes the countess's audacious style. She loved to wear green, which complemented her auburn hair.</b></div>
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<b> <span style="color: red; font-size: x-small;">Image Left: One of the countess's most famous gowns was a sensational gold lame Byzantine empress gown, pearl-encrusted, fur-trimmed robe de ceremonie, that she wore to her daughter Elaine's wedding in 1904. It said that people in the crowd exclaimed, "My God, is that the mother of the Bride>" Although labeled Worth, it was probably created for the countess by the young Paul Poiret. </span></b></div>
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<b>SPONSOR OF THE BALLETS RUSSES. A pioneering fund-raiser, the countess was a major supporter of the Ballets Russes, and in the years prior to the First World War her fashions also gravitated toward avant-garde Orientalist styles. When Proust describes the exotic Fortuny gowns of his fictional Dutchesse de Guermantes, evoking "that Venice loaded with the gorgeous East," he was clearly inspired by the Countess Greffulhe. Crafting her image like a work of art, she cultivated an elegant signature style that highlighted her svelte, wasp-waisted figure. Besides Charles Worth, Jeanne Lanvin, and Nina Ricci are among couturiers represented. There is also an ensemble inspired by the Countess Greffulhe created by contemporary fashion designer Rick Owens. In addition to the 28 garments on display are dozens of accessories, and a selection of photographs. Through Jan. 7, 2017, at The Museum at FIT, (FREE Admission) 27th street and Seventh Avenue.<a data-saferedirecturl="https://www.google.com/url?hl=en&q=http://fitnyc.edu/museum&source=gmail&ust=1475070620102000&usg=AFQjCNFtHN138mmiTu7JvXqskwfYeeaWow" href="http://fitnyc.edu/museum" style="color: #1155cc;" target="_blank">fitnyc.edu/museum</a>. For information about the Proust Muse Fashion Symposium on Thursday, September 20th contact the museum.</b></div>
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<b> <span style="color: red;">Ta Ta Darlings!! The exhibit is too, too marvelous, I am green with envy, but alas I do not have a wasp-waist. Polly welcomes fan mail at<a data-saferedirecturl="https://www.google.com/url?hl=en&q=http://pollytalknyc.gmail.com&source=gmail&ust=1475070620103000&usg=AFQjCNEGz7333iGt9_uj52fCB-CMhsOOWw" href="http://pollytalknyc.gmail.com/" style="color: #1155cc;" target="_blank">pollytalknyc.gmail.com</a>. Visit Polly's other Blogs at <a data-saferedirecturl="https://www.google.com/url?hl=en&q=http://www.pollytalk.com&source=gmail&ust=1475070620103000&usg=AFQjCNExpoLVGMzyrTM4tyRGjcEslXbyLw" href="http://www.pollytalk.com/" style="color: #1155cc;" target="_blank">www.pollytalk.com</a> and click on the links in the left-hand column.</span></b></div>
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-82027349600578837842015-03-30T11:54:00.001-07:002015-03-30T11:54:04.288-07:00FASHIONING THE BODY, an INTIMATE HISTORY (c) by Polly Guerin<h2 class="date-header" style="background-color: #f6f6f6; color: #777777; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13.6499996185303px; font-stretch: normal; margin: 10px 0px 0px;">
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<tr><td class="tr-caption" style="font-size: 10.3999996185303px; text-align: center;">Tight Lacing after John Collet 1777</td></tr>
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It appears that there is really nothing new about how women and men have shaped their bodies into distinctive silhouettes in the name of fashion. The quest to create a new figure continues to inspire fashionistas. Even today women and men are determined to reshape, retool and, more often than not, they take plastic surgery to alter, improve but sometimes distort their bodies into a vision of controlled beauty.<br /> The historical significance of Fashioning the Body: An Intimate History of the Silhouette is worth the trip uptown. The exhibition will be on display at the Bard Graduate Center, at 18 West 86th Street, from April 3 through July 26, 2015<br /> This extravagant display presents the novel devices and materials that women and men have used to shape their silhouettes from the 17th Century to today, including extra wide panniers draped in sumptuous fabrics and the underpinnings, that were necessary to support such extravagance. Corsets, crinolines, bustles, stomach belts, girdles, and push-up bras also get their due recognition. Note the image right: "Tight Lacing or Fashion before Ease," after John Collet in The Profession of the Proprietors, 1777. Hand-colored mezzotint published by Bowles and Carver. The Trustees of the British Museum.<br /> Beneath it all there is a world of intrigue and mystery and curator Denia Bruna, at the Musee des Arts decoratives and professor a the Ecole du Louvre, presents the history of "behind the scenes" in a well documented exhibition.<br /> <br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; padding: 4px;"><tbody>
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<tr><td class="tr-caption" style="font-size: 10.3999996185303px; text-align: center;">Winding Up The Ladies ca 1828</td></tr>
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The tricks for fashioning women's bodies have always confounded belief. One wonders, what made these women and sometimes men allow themselves to be pulled, squashed and shaped into fashion? Part of the answer may be the fact that the ability to engage in such body distortion, the minuscule waist, for example, required several people to pull you tight till your breath was nearly sucked out of your body. Yet, the pain was worth it to be able to trump your nose at society and let them know that you were high-minded enough to afford such luxury even if achieving it meant by torturous results. Note the image "A Correct View of the New Machine for Winding Up the Ladies," ca. 1828. Hand;colored engraving, Courtesy of the Museum at FIT.<br /> A broad range of silhouette-shaping garments are featured that flattened the stomach, compressed the waist, lifted the breasts, added curves to the hips and curvature to the derriere. As for men their vanity paralleled women's eccentricities and the perfectly curved leg of an seventeenth century gentleman would be padded to produce the perfect silhouette, Today men's underwear padding enhances the center of their charm as well as well-shaped buttocks.<br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; padding: 4px; text-align: right;"><tbody>
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<tr><td class="tr-caption" style="font-size: 10.3999996185303px; text-align: center;">The Bustle Contraption</td></tr>
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The exhibition is a rare insider view into the underpinnings of fashion that mirrored society's concept of one's superior status and perceived elegance.<br /> A series of black velvet mannequins illustrating a woman's silhouette throughout time invites the viewer to understand how a woman's body shape was altered to accommodate the extremes of fashion.<br /> TaTa darlings!!! I'm certainly glad that all I need to do is to go to the gym to keep in shape. Whew!!! Imagine the discomfort that women suffered wearing cages of different sizes and shapes to underscore the crinoline, to create a bustle or achieve exaggerated proportions of court dress. Then too, men also wore girdles to enhance their posture and create a straight aristocratic silhouette.Fan mail welcome at pollytalknyc.gmail.com. Visit Polly's Blogs at www.pollytalk.com and click on the link that takes you to womendeterminedtosucceed, visonary men, poetryfromtheheart or hiddentreasures.<br /><br /> </div>
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-32588697596570095412013-11-07T14:06:00.000-08:002013-11-07T14:11:23.531-08:00PENN & FLETCHER, Master Artisans of Custom Embroidery By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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Throughout history hand crafted embroidery has been treasured, like “Fine Jewelry,” says Ernie Allen Smith, custom embroidery artisan of Penn & Fletcher, Inc. This is a firm that stands in league of its own, a one-of-a-kind establishment that fashions creative embroideries using patterns and techniques of antique vintage, the work far too fantastic in its scoop, too unique and complicated for others to produce.<br />
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TALENTED ARTISANS Today with its staff of 13 talented artisans, the company, located in Long Island City, is internationally renowned for creating custom embroidery for museums, artists, architects, interior designers, artistic directors of fashion houses, the theater and even exquisite costumes for epic movie productions such as The Aviator, Enchanted and Mirror Mirror. Private clientele and the ladies, who lunch, also engage Penn & Fletcher’s artisans to create high end embroidery pieces to adorn their most luxurious possessions. <br />
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EMBROIDERY JARGON Descriptive words like appliqué, couching, chenille, satin stitch, French knots, trap unto, cord work, crewel, soutache and passamenterie describe the diversified embroider’s techniques that adorn some of the firm’s commissioned pieces. “We use a combination of handiwork, hand-guided embroidery machinery equipment from the 1870’s, and computerized machines,” says Smith. All work is crafted by artisans who are a lost breed of visionaries determined to keep the art of embroidery flourishing for generations to come. To that end the firm has future plans to schedule adjunct embroidery classes for young artisans to learn the trade. <br />
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FOUNDING REMARKS While embroidery is an old, revered hand-crafted industry, Penn & Fletcher is relatively new. The company was formed in 1986 from the remnants of old embroidery studios and much of the company’s equipment, the architects of design and the embroidery heritage it maintains dates back to 1878 and earlier. Case in point, on view recently at GSMT, The General Society of Mechanics & Tradesman’s Lecture Series, was an embroidery machine in black metal with a mother-of-pearl inlay border. The architects of design of this embroidery machine made it to last and it is still used today in hand guided designs. <br />
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All the work, any size job and type of custom work, as well as historical pieces, is done in Penn & Fletcher’s Long Island City workroom at 21-07 41st Avenue, 5th Floor; 212.239.6868. http://www.pennandfletcher.com. For more information about the GSMT Lecture Series, held at 20West 44th Street contact the General Society at 212.840.1840, ext 2. Or e-mail the program director Karin Taylor at karin.taylor@generalsociety.org; visit www.generalsociety.org<br />
<br /><em><span style="font-size: x-small;">Polly Guerin is author of the book: THE COOPER HEWITT DYNASTY OF NEW YORK (History Press 2012)</span></em>Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-82175582818695506162013-10-26T12:16:00.000-07:002013-10-31T05:31:23.257-07:00GAULTIER, JEAN PAUL, Master of the Fashion Universe (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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THE FASHION WORLD of JEAN PAUL GAULTIER FROM the SIDEWALK to the CATWALK: This theatrical spectacle, the first international exhibition celebrating the career of the legendary French couturier Jean Paul Gaultier, who has shaped the look of contemporary fashion with his avant-garde designs, makes its only east coast stop on an international tour, organized by the MMFA, Montreal Museum of Fine Arts in collaboration with Maison Jean Paul Gaultier, Paris. Where? At the Brooklyn Museum on view through February 23, 2014. “I am proud and honored that this exhibition is presented here, where the true spirit of New York lives on. I was always fascinated by New York, its energy, the skyscrapers of Manhattan, that special view of the sky between the tall buildings,” said Gautier of the Brooklyn presentation where some mannequins seemingly come alive, their eyes blink, the lips move and the words uttered grip the viewer with uncanny realism. <br />
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THE COLLECTION This breath-taking overview of Gaultier’s extensive oeuvre includes exclusive material not exhibited in previous venues of the tour, such as pieces from his recent haute couture and ready-to-wear collections and stage costumes worn by Beyonce. The 150-piece lineup, curated by Thierry-Maxime Loriot, MMFA, includes some of Gaultier’s most iconic pieces, like Madonna’s original cone-bra bustiers and bare-breast suspenders, and looks from his collection inspired by Hasidic Jews in Brooklyn. There are several piece that have never been exhibited before, including a glittery jumpsuit worn by Beyonce.<br />
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AVANT GARDE DESIGNS Distinctively different from traditional couture, Gaultier’savant-garde designs demonstrate a deep understand of the issues And preoccupations of today’s multicultural society. For inspiration he has turned to a variety of cultures and countercultures. The show is organized into seven thematic sections: The Odyssey, The Boudoir, Muses, Punk Cancan, Skin Deep, Metropolis, and Urban Jungle. Accompanying the designs are sketches, excerpts from films, concerts, and dance performances, and photographs by Richard Avedon, Any Warhol, Cindy Sherman, and others---all testifying to the daring genius of Jean Paul Gaultier. <br />
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AMAZING LIFE-LIKE MANNEQUINS You will need to take a second look as the fascinating mannequins seemingly talk the talk and flirt with you. Many of the mannequins used to display Gaultier’s designs revolve to reveal all angles of an ensemble. Some circulate on a continuously moving catwalk and many wear remarkable wigs and headdresses created by renowned hairstylist Odile Gilbert and her Atelier 68 team. Throughout the galleries, thirty-two of the mannequins come alive with interactive faces created by technologically ingenious high-definition audiovisual projections. A dozen celebrities, including Gaultier himself, model Eve Salvail, and bass player Melissa Auf de Maur, have lent their faces and their voices to this project. The production and staging of this dynamic audio-visual element is the work of Denis Marleau and Stephanie Jasmin of UBU/Compagnie de creation of Montreal. Jolicoeur International of Quebec realized all the custom-made mannequins with different skin tones and positions.<br />
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ORIGINS OF DESIGN As for inspiration Gaultier admits, “If I do fashion, it’s because of “Falbalas,” a movie from the 1940s, before I was born. It was about a couturier at a Paris couture house, inspired by a woman to give him the idea for a collection. He made a beautiful collection because he was in love with her. It was so explicit, so perfect in the description of the workings that when I started to work at Cardin and Jean Patou, I thought, ‘Oh, but I am in Falbalas.”’ One of the most adorable items in the show is Nana, Gaultier’s childhood teddy bear that, at age six, he customized with a cone-like bra made from newspaper pinned onto the stuffed animal. "It was before Madonna,” he said.<br />
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For his part, Gaultier hopes visitors will “not be bored but surprised and amused, and have a good time and fun.” <br />
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Polly Guerin is author of the book THE COOPER-HEWITT DYNASTY OF NEW YORK (History Press 2012).<br />
<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-5396557580772088232013-10-02T08:32:00.002-07:002013-10-02T08:32:52.566-07:00ONLY AUTHENTICS Luxury Handbag Auction (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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Breaking News: A FABULOUS HANDBAG EVENT On view all this week through October 12th an extensive collection is offered for sale—Hermes, Birkins and Kellys plus Chanel featured classics to runway exclusives—co-sponsored by Alice Kwartler and Only Authentics, 445 Park Avenue (betw 56 & 57 Sts.) <br />
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THE HANDBAG SULTAN Only Authentics Virgil Rogers, who I call the Sultan of Handbags, showcases an extraordinary collection of luxury handbags, vintage and rare handbags that are truly investment fashion pieces from top luxury brands in mint condition and on-trend colors. The cognoscenti, savvy women are beginning to realize that the treasures they put in their closets have great future value.<br />
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HANDBAG S ON DEMAND Only Authentic collection offers women who want a particular bag instant access. Instead of being put on the wait list for a particular bag at this event Only Authenics presents a wide range of Hermes, Birkins, Kellys and Chanels that any fashionista or collector will cherish. Rogers’s next luxury handbag event is at the Upper East Side Jewelry Show, October 18-19 at the National Bohemian Hall, (The Czech Cultural Center) at 321 E. 73 St. (betw First and Second Ave) . For upcoming shows and events visit “onlyauthentics.com” or contact: onlyauthentics@gmail.com<br />
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Polly Guerin<br />
Author: Cooper-Hewitt Dynasty History Press (2012)<br />
<a href="http://www.pollytalk.com/">www.pollytalk.com</a><br />
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-91982664619303029842013-08-01T09:00:00.000-07:002013-08-01T09:21:34.219-07:00KIMONO: HISTORICAL ICON OF JAPANESE CULTURE (c) By Polly Guerin
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KIMONO by any other name would not be so beautiful or historical a fashion statement of status and wealth. The word ‘kimono’ literally means a thing to wear (ki “wear” and mono “thing) and was the Japanese word for clothing., but in more recent years it has come to refer specifically to the Japanese traditional garment which is a reflection of Japan’s evolving culture throughout history. The kimono in numerous incarnations in gorgeous antique silk textiles, embroideries, hand painting, gold leaf and appliqué is honored at an exhibition “Essence of Kimono,” a stunning new exhibit of 50 one-of-a-kind exquisite handmade kimonos that span two hundred years of history. Unmatched for its breadth and diversity the exhibit, the Alexander Collection, is culled from private collector’s treasure trove and is on view through August 23 at the Nippon Club, 145 West 57th Street.
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KIMONO ARTISTRY The exhibit includes incredible historical silk textiles from the Edo, Meiji, Taisho and Showa periods. During the Kamakura period and Muromachi period, for example, both men and women wore brightly colored kimonos. Kimonos are secured by a sash called an obi, which is tied at the back and generally worn with traditional footwear and split-toe socks. Warriors were a sight and dressed in colors representing their leaders. You can imagine the battlefield was a giddy, gaudy fashion show. The pattern of the kimono can determine in which season it should be worn. Watery designs are common during the summer. A pattern with butterflies or cherry blossoms may be worn in spring. A popular autumn motif is the russet leaf of the Japanese maple, for winter, designs may include bamboo, pine trees and plum blossoms. Every stitch of silk thread and delicate brush stroke conveys the pride and dedication of the artist. A touch of gold leaf adds elegance, embroidery enriches the surface of design and hand-painted scenery provides a visual masterpiece. <br />
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A FAR REACHING INFLUENCE Visitors will discover the artistry and craftsmanship involved in creating the iconic symbol of Japan and at the same time realize the far reaching influence that the Japanese aesthetic has had on fashion, interior design and art in the Western world. Through a wide range of historical periods, decorative techniques and styles, these kimonos serve to unite the past and present with historical reverence to the artists who created them. The skills utilized in the couture creations on display are skills mastered over a lifetime and passed down through generations. This rare opportunity to view such a breathtaking collection serves as inspiration for designers in fashion, design and architecture. <br />
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KIMONO TODAY Kimonos as we know them today came into being during the Hein period (794-1192) when a new kimono-making technique was developed known as the straight-line-cut method. It involved cutting pieces of fabric in straight lines and sewing them together. With this technique, kimono makers did not have to concern themselves with the shape of the wearer’s body. The straight-line-cut had many advantages; they were easy to fold, could be worn in layers to provide warmth in winter and lighter fabrics such as breathable linen was comfortable for summer. <br />
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FASHION HAS HAD A LONG LOVE AFFAIR WITH THE KIMONO. FRENCH FASHION COUTURIERS, PAUL POIRET AND MADELEINE VIONNET CELEBRATED THE KIMONO IN THEIR COLLECTIONS AS DO MODERN RUNWAY SHOWS. FASHIONABLE WOMEN CALL THE KIMONO THEIR OWN AND WEAR KIMONOS OVER PANTS OR LONG SKIRTS TO THE OPERA AND TO GALAS. THE KIMONO IS ONE OF THE MOST RECOGNIZABLE ARTICLES OF CLOTHING IN THE WORLD. IT TRANSCENDS HISTORICAL, CULTURAL AND GEOGRAPHICAL BORDERS WITH AN ARTISTIC LANGUAGE THAT SPEAKS TO US ALL. Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com1tag:blogger.com,1999:blog-8794775997976982087.post-75202301451180574812013-05-17T10:16:00.000-07:002013-05-17T10:19:29.098-07:00TRAVEL CHIC: ONE SUITCASE/5 EASY PIECES (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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As the summer travel season draws near it reminds me of the student trips I planned for twenty young women from the Fashion Institute of Technology, 20 total, traveling with me to London, Paris/St. Tropez, Milano, Florence/Venice, and Barcelona. The trip was designated as a 3-credit summer course of exploration visiting the fashion capitals of Europe. Believe me it was a formidable task to be the sole professor escorting this sometimes unruly group of ‘in-no-sense’young women. However, my travel tips may also serve any woman planning such a trip even on her own. <br />
<strong>A SAVVY TRAVELER</strong> I say that because before we would travel I always held meetings in which I discussed and distributed information on what to expect and how to travel sensibly. While so many of the young women seemed genuinely interested in the fashion aspects of the trip they did not heed my warning that this was a student trip and not a luxury vacation and that they would have to abide by the rules of deportment. Most important they could bring only one medium-size roll-on suitcase and one combination handbag/carryon bag. The girls who did not comply wound up with great difficulties during the trip, but they were forewarned. Often porters are not so handy so several ‘in-no-sense’ girls who decided to bring their summer wardrobe had to fend for themselves when it came to lugging extra suitcases down or up stairs at various stations or airports. <br />
<strong>FASHIONABLE ATTIRE</strong> Five easy pieces is what I recommended. That means packing minimally with color- coordinated pieces in easy-care fabrics. Five easy pieces include a (1) a classic stretch-linen-like jacket, (2) a printed blouse or printed sleeveless shell, (3) one solid-color microfiber dress, (4) one pair microfiber pants and (5) one pencil slim skirt. Easy-care fabrics make it easy to wash an item during the trip. Always include a pair of comfortable walking shoes, which you can wear with your travel outfit, but pack one pair of heels which will look perfect with the dress, glitter or pearls. Navy blue is always an easy color scheme to coordinate. Brown/beige with coral is another alternative, but always stick to one color scheme. Matching accessories such as a silk Hermes-inspired scarf and a colorful Pashmina printed shawl can add panache to the ensemble as do costume jewelry earrings and necklaces. If you want to relieve yourself of any theft concern never travel with genuine jewelry. However, you should also pack a collapsible tote just in case your retail therapy goes wild with extra purchases. <br />
<strong>CHIC NECESSITIES</strong> It’s a good idea to put personal necessities in your combination carryon/handbag, in which you can pack a small purse with shoulder strap. This item can be used as an evening accessory or to use on lighter days when you do museum hopping. You can utilize this small purse in your suitcase to stash cosmetics and hair necessities. Keep lingerie to a minimum wash-and-wear status. Toss in a bikini bathing suit with a matching cover-up that can serve as a nightgown, and pair of flip-flops. When we took the Chunnel from London to Paris (a first class experience) another 'in-no-sense' girl piped up, “I thought that you said that we were going first class?” Obviously she did not recognize the classy décor and lamps<br />
<strong>DOCUMENTS BE SAFE</strong> As for documents I always suggest that you make a copy of your passport and place it safely inside your suitcase, so heavens, if the original gets lost you will have the information for a replacement at the local U.S. Consulate. Always keep a copy of the travel itinerary with you at all times and at each hotel remember when you go out in the evening, if you do not take the itinerary with you, be sure to pick up a business card with the hotel’s name and address. Many a night I had a frantic concern when several girls did not show up because they couldn’t remember the hotel in which they were staying.<br />
<strong>DINING AL FRESCO</strong> Often meal plans were included on the trip and we even accommodated vegetarian requests. However, some girls were not adventurous when it came to dining and much to my dismay in Venice I saw several students in a MacDonald’s. When I appeared and wondered what they were doing there. They announced, “This is the best meal we have had on the trip.” So much for trying to broaden one’s taste palate. When it came to the old pension in Florence, where students from other universities were also staying, some of the ‘in-no-sense’ students complained bitterly about the ancient elevator that accommodated one person at a time. Although the atmosphere in the place had a convent-like austerity, alas, most of us thought the experience was quaint.<br />
<strong><em>SO MUCH FOR INNOCENTS ABROAD WHO I HAVE DUBBED ‘IN-NO-SENSE’ BUT ON THE WHOLE DESPITE THESE NAYSAYERS FASHION AND TRAVEL IS A WONDERFUL WAY TO EXPERIENCE EUROPE.</em></strong><br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com1tag:blogger.com,1999:blog-8794775997976982087.post-72483987610715581032013-04-05T10:36:00.000-07:002013-04-05T10:36:32.865-07:00THE PERFECT DINNER GUEST (c) By Polly Guerin<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Formal Dinner Setting </td></tr>
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Some people just seem to know how to be the perfect dinner guest, others may be in a quandary about proper etiquette for business invitations and still there is the casual dinner with close friends that usually has no restrictions at all where you can be at ease. Guidelines herewith provide pointers for attending modern semi formal and formal dinner parties. These tips will help you to avoid a faux pas and worst have your name removed from any further invitations. Dinner parties are not to be trifled with, but given their due respect, and you should always be prompt but never earlier than the time designated for arrival. <br />
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<strong>FASHIONABLE ATTIRE</strong> A dinner party is the kind of social affair that requires particular savoir faire, manners and dressing for the occasion. Yes, it is important to coordinate your attire to emulate the dinner party’s theme. In other words, save your jeans for a backyard barbecue invitation. Quite often, the host will tell you in advance why the dinner party is being held; an anniversary celebration, a birthday, a promotion---there are numerous reasons why a host will hold a dinner party and that will give you a clue as to the dress code for the evening. An invitation to a business dinner means you will have to be clear about the attire expected, mind your manners and avoid excess drinking of libations.<br />
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<strong>A FORMAL AFFAIR</strong> Formal black tie and evening gown dinners are usually banquet affairs; testimonials, award ceremonies or the like, held in a hotel ballroom. For such occasions you know instinctively that the dress code is formal. In a home setting a formal dressy affair, a tuxedo and gown invitation, reminds me of something out of the past, like a 1920’s movie set. However, I have found that on rare occasions a formal dinner lends a special flair to the celebration. I held a formal dinner for six one time to celebrate birthday milestone, and the fact that everyone dressed up to the occasion gave the affair a tone of elegance and panache. <br />
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<strong>HOSPITALITY POINTERS</strong> The matter of a hospitality gift is a courtesy, so you might ask the host, “May I bring some wine?” If you are told, “No, do not bring anything, just yourself,” ignore the hosts protestation and bring something anyway. If you do bring wine, and the host does not open it that evening, do not be disappointed. The host may have planned the choice of wines for the dinner with such precision that your wine will be kept for another occasion. Instead of wine consider gourmet chocolates or a designer scented candle. Flowers are also a lovely choice, but then the busy hostess, greeting guests, has to find a vase. Anyway she or he may have already coordinated flower arrangements to suit the color scheme of the evening. Sending flowers the next day as a ‘thank you’ is a better choice.<br />
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<strong>INTERACTING WITH GUESTS</strong> That said, depending upon the occasion, you might politely ask the host who will also be attending the dinner and explain that your inquiry is merely to be prepared so that you can interact with the guests on their cultural level. If foreigners are among the guests, be prepared and know in advance the customs of their country in order to avoid any faux pas. Some men still gallantly take a woman’s hand and kiss it, but that is a gesture that is reserved for people they know. When introductions are made a polite handshake is sufficient.<br />
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<strong>THE PERFECT DINNER GUEST</strong> The perfect dinner guest is someone who is interesting and interested in the people to the left and right of him or her at the dinner table. However, a brash guest should never monopolize the conversation and talk about himself. The best way to open up the conversation is to ask a question, which you could easily do since you have received beforehand information about the guests. Look for ways to connect. A woman can easily chat with another woman by merely admiring her jewelry or her dress. A gentleman might open up a conversation by discussing some artifact in the dining room or a newspaper item that is fresh on everyone’s mind, but nothing too controversial. By all means wait for your host to sit down and invite everyone to start eating. A toast may be offered first, so follow the host’s lead and rise to the occasion.<br />
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<strong>THANK YOU VERY MUCH</strong> It’s never quite clear how long to linger after the dinner. Guests may be urged to stay for an after dinner drink while others may have a train to catch or pressing business and need to leave early right after the dinner has concluded. Remember, before you exit be sure to say something about how much you enjoyed the dinner, and thank the host. Whether you stay on at the host’s request or not, remember to send a ‘thank you note’ the very next day expressing how much you enjoyed the dinner party, and mention something special about the evening.<br />
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<strong>WRITE FROM THE HEART “</strong>It was such a delightful evening and I was glad to be counted among your special guests. The salmon cordon blue was excellent as was the entire dinner, which I so very much enjoyed, especially the pot de crème dessert. I particularly enjoyed meeting Mr. and Mrs. So and So, and the lady from India. Thank you again for inviting me. I hope to see you soon again.” Okay that’s not your style, but it is just an example; say something from the heart, something that will make the host smile and feel appreciated. <br />
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-85022826198024755312013-03-14T17:24:00.004-07:002013-03-14T17:42:32.900-07:00NEW YORK STATE'S 'I LOVE NEW YORK' SCENT(c) By Polly Guerin<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnaGb_LQCj5Nd7TloEaLbDMsUbdh7G3uXi2_pBIwl8B9W6rluso9cgcuUJOpoxO0ISBw-t2DOv_CoGO3neyvhe3ZgcLGSoF3sq6FXKcnJ1lx22ygBn5BDyRl2L3C7892mQCC9L6gFGEVqH/s1600/bondno9big.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="213" psa="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnaGb_LQCj5Nd7TloEaLbDMsUbdh7G3uXi2_pBIwl8B9W6rluso9cgcuUJOpoxO0ISBw-t2DOv_CoGO3neyvhe3ZgcLGSoF3sq6FXKcnJ1lx22ygBn5BDyRl2L3C7892mQCC9L6gFGEVqH/s320/bondno9big.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">New York State Scents with Iconic Tourism Logo</td></tr>
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New York may have a bad rap when it comes to smelling fresh like a spring breeze of crystal clean air, but NoHo-based perfumery Bond9, long known for creating artisanal fragrances—now in partnership with the State of New York--- has launched ‘I Love New York,' a perfume collection, whose inspiration is the entire New York State. The collection, created by the brand’s owner Laurice Rahme was launched at the New York State Summer Media Night, held to promote travel within the state. The iconic I Love New York tourisim logo adorns shapely bottles of in different colored bottles. Regardless of what you pick for your vacation signature scent there’s something for almost everyone in this collection.<br />
<strong><br /><em></em></strong><strong>INSPIRATIONAL JOURNEY</strong> From landmark waterfalls and wine trails, to a splendor of cultural icons and a wealth of local food and drink, New York offers endless surprises and adventure in every corner. The 'I Love New York' fragrance collection seems to be meant to capture the endless vacation possibilities in New York State. Each fragance has its own distinct message in aromas that inspire one’s desire to travel and enjoy the many wonderful opportunities of discovery and leisure-time pursuits. Even if you journey vicariously there’s a great deal of thought that has gone into each fragrance.<br />
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<strong>HIS & HER SENTIMENTAL SCENTS</strong> The fragrances for his and her have distinct aromas that conjure up sentimental yearnings for the great outdoors. ‘New York for Her,’ fashioned in a Vivid ruby red bottle with peony and patchouli notes suggests—close your eyes and you’ll be transported to the sunny blueberry farms in the Chautauqua-Allegheny area. Well, it certainly beats the unpleasant odors of New York City. Then there’s ‘New York for Him’ in royal blue bottle, which suggests the rugged outdoors, rivers and lakes. Other scents celebrate Earth Day in a Green bottle and ‘New York for All’ with street smart geranium infusions.<br />
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<strong>MOTHERS & FATHERS AROMAS</strong> ‘I Love New York for Mothers’ in a pink bottle, celebrates a state full of tea rooms, hat shops, shoe shops and charming hansom cabs. Not to forget our founding fathers like John Jacob Astor, fur trader andThomas Edison who set up his company in Corning (Finger Lakes) to blow the first light bulbs, and the National Hall of Fame in Cooperstown---this is an amber based scent ‘New York for Fathers.’ A contemporary wedding bouquet of aromas identifies with “I Love New York for Marriage Equality,’ which celebrates New York’s same-sex marriage law in a white bottle with rainbow heart.<br />
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Ms. Rahme’s focus on custom-blended scents are sold in five New York area boutiques as well as Saks Fifth Avenue. BondNo9 also has 58 scents for different neighborhoods in the city. For further details check the website: <a href="http://www.bondno9/">www.BondNo9</a>.<br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-18884880642104686752013-03-12T08:40:00.001-07:002013-03-15T06:20:41.770-07:00MILLINERS GUILD's Bonnet Bash NIGHT and DAY Show<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">The Bonnet Bash: Night and Day</td></tr>
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Fashionistas’ Millinery: An exciting and distinct way for a millinery designer to exhibit their unique creativity is the subject of a new exhibit, Bonnet Bash, the NIGHT & DAY SHOW show, which is featured in the spectacular venue of the National Arts Club, at 15 Gramercy Park South on 20th Street, New York City. The enchanting presentation, representing the work of some twenty-eight millinery designers, opened last night and is free and open to the public until Friday, March 15, at which time there is a closing night party. When the party is over The Millinery Guild continues to provide a platfrom for millinery designers with its educational seminars and millinery events<br />
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<strong>ORIGINS OF THE THEME</strong> Linda Ashton, the president of Milliners Guild wrote, “A song started to run through my head. It was the Lyrics from a l932 Cole Porter song, Night and Day--- “Night and day you are the one, Only you beneath the moon or under the sun, whether near to me or far it’s not matter darling, where you are, I think of you night and day. Linda continues, “Since each milliner was to create two hats for the event, it made perfect sense to use the tune, as it afforded us the idea for the two hats, ‘one for day’ and ‘one for night’ and the milliners were encouraged to interpret the theme any way they wished.”<br />
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<strong>THE MILLINERY DESIGNERS</strong> Millinery creations and concoctions kept the invited guests entranced by their whimsical quality or serious interpretation. I cannot mention each designer here but jaunty Top Hats by Janet Linville took notice, as did Wanda J. Chambers’s melon colored fedora with striking feather decoration. Most elegant and stylish were the hats of Sally Caswell, Sally Caswell Millinery wtih jaunty straw with floral trim and one delightful concoction of feather origin. Linda Ashton’s beige cloche with button detail tuned into the night’s theme as did Linda Pagan’s theatrical straw top hat with circle feather. My favorite, and I am entitled to have one, was Aaron Keppel’s flying saucer red straw with white brim really which took off with flying colors. Anne dePasquale's fedora stood out in striking contrast to a hat bouquet perched on the head like spring field flowers.<br />
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<strong>THE CLOSING NIGHT PARTY</strong> Should be lots of fun!!! Dance to the vintage music of the Avalon Jazz Band, strut your headpiece in the hat parade, meet celebrity milliners, craft a chapeau of your own design and peruse the installation which enjoying vintage cocktails, a light supper and parlor entertainments. Vintage-inspired day or evening attire with matching chapeau is highly encouraged. Cost $75. For more info about the artists featured in the show: MillinersGuild.org Prizes will be awarded for the most Glamorous, Most Outrageous and Best Period Hat.<br />
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<strong><em>The Milliners Guild is an essential resource for stylists, Art Directors, Accessories Editors, and distinctive fashioniasts who appreciate fine millinery. Through special events and educational seminars the Guild provides consistent communication to, and education of the public, press and students. For more information about the Guild contact: PR@Milliners Guild.org</em></strong><br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-12018886048756059742013-03-06T11:57:00.000-08:002013-03-06T12:07:04.330-08:00LADY'S MAID ON DEMAND (c) By Polly Guerin<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Movie: Shall We Dance Serving Ginger Rogers in Bed (1937) </td></tr>
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When I hear people being downsized and out of a job I wonder if they have considered entering domestic service to satisfy the needs the tony, trendy people who can afford to pay high salaries for trained help.The increase in the demand for good, reliable help has also come about by the effects of Downton Abbey, and countless of women are fantasizing and yearning to hire a personal lady’s maid. That’s right, there’s a certain kind of glamour that the show projects and after watching characters like Lady Mary get impeccably dressed women, who can afford it are looking for someone to take great care of their seasonal wardrobe, maintain the garments in pristine clean condition and also prepare and layout clothing for special events. <br />
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<strong>LEND ME A STYLIST</strong> Some women associate the career as a ladies maid as a put down, but when you consider that salaries for such service can escalate way up to $60,000 a year and better, it’s worth considering. Of course, if you are too pretty for the job you may not get hired, so it would be wise to downplay your attractiveness, cause your lady boss may consider you competition for her husband. Training may also require some time and investment but it may be worth investigating at the Society of Staffing or check out The Butler Did It, Inc. for starters to a new profession, which often comes with some perks. Better yet to give yourself the finest of training head for England where professional training is at its peak to meet society’s demands.<br />
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<strong>PERKS OF THE PROFESSION</strong> If a client is wealthy the extra perks that come with a domestic service might mean performing the same service elsewhere; like a swanky apartment in New York or Paris, and in summer or at winter break go along to the beach or country house or accompany the same client on exotic vacations. You may have to wear a uniform that would save on your clothing budget, but then again maybe not. Just look at the maid in the image above she is wearing an exotic form fitting dress, but of course that is a Hollywood version of a maid's attire. Some women don’t want a live-in domestic but prefer hiring on occasion a fashion stylist to put their image together for career or social events. No doubt, a well-trained lady’s maid can help you make the right appearance, but it is a pricey indulgence that most working women cannot afford. Celebrities often hire an all-in-one person called a personal assistant, who performs a myriad of jobs and these careers also pay extremely well. However, I’ve read that some of those celebs can be pretty demanding so take caution before you leap into this profession. <br />
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<strong>REQUIREMENTS ARE HIGH</strong> You may not be working for the English royals in a countryside estate or great palace but the surroundings of a posh apartment or mansion can be just as demanding. For one thing, most clients want staffers to be well-educated, fluent in at least one language, well-traveled with a valid passport and able to drive them about if necessary. Consider the consequences of the job as lady’s maid. Your role as staffer means that you have to cater to the client and what’s more drop everything at the client’s request to even arrange for the complete contents of a dinner party. If that be the case just be sure that additional services are woven into your contract. Yes, don’t forget to spell everything out that is expected of you for that great salary. <br />
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<strong><em>THE QUESTION TO ASK YOURSELF: ARE YOU CUT OUT OF THE CLOTH OF SENSIBILITY TO WORK AS A LADY’S MAID? IT MAY NOT BE A LIFE LONG CAREER BUT JUST THINK OF THE ADVANTAGES. IF YOU ARE A FULL TIME STAFFER YOU CAN SAVE MOST OF YOUR SALARY WHILE YOU ENJOY FREE RENT AND MEALS AS ANOTHER VALUE PERK OF YOUR CHOSEN CAREER. BONNE CHANCE!!! PS I have been told that it would help if you spoke French as well.</em></strong><br />
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<strong><br /><em></em></strong>Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-52348517240719883432013-02-24T08:25:00.003-08:002013-02-24T08:44:39.771-08:00RECREATE A DOWNTON ABBEY-STYLE WEDDING FOR LESS by Cara Davis<div class="separator" style="clear: both; text-align: center;">
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Dear Readers: Weddings expert Cara Davis, and thefashionhistorianpollyguerin's Guest Blogger is the author of <em><strong>Cheap Ways to Tie the Knot,</strong></em> a best-selling book on Amazon offering tips and tricks for planning a dream wedding on a budget. Cara also blogs from her home in Nashville, Tenn., about cheap ways to spend and save at her blog: CheapWaysTo.com She planned her wedding in under six months for $5,000 and has been offering tips and tricks to budget-savvy brides every since. Her tips have been featured in USAToday, The New York Times, Colorado Brides, Chicago Bride Magazine, Destination I Do Magazine, St. Louis Bride & Groom Magazineand many more.<br />
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Cara Davis writes : <em><strong>"Recreate a Downton Abbey-Style Wedding for Less."</strong></em><br />
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The wedding of the season appears to be that of Downton Abbey's Lady Mary and Matthew Crawley. The popularity of the series has brought about a renewed interest in 20s-era fashion, as evidenced by the spring 2013 bridal collection from Jenny Packham and the fall 2013 styles of Sarah Seven.<br />
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If the grandeur of the Granthams has you dreaming of vintage touches and ornate headpieces, consider these <br />
seven must-haves for a Downton-themed garden wedding.<br />
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1. <em><strong>The Venue</strong></em><br />
Shop around for an all-inclusive wedding package at a bed-and-breakfast, historical mansion or botanical garden. Package deals can be very affordable and the more options included mean less planning headaches for you. A church ceremony is perfectly suited for a Dowton theme and you can even get away with a quiet reception of cocktails and hors d'oeuvres afterward.<br />
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2. <em><strong>The Decor</strong></em><br />
Piece together vintage settings from your town's local flea markets and antique stores. Don't worry about getting all matchy-matchy at the reception; shop thrift stores for teacups and saucers, and load up on faux pearls to complete the look.<br />
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3. <em><strong>The Invites</strong></em><br />
To save on the cost of invites, create your own or print them from free templates. The monogram theme from WeddingChicks.com offers the perfect look for a Downton-inspired ceremony. Since printing your own invites also includes proofs, RSVP cards and reception information, head to InkjetWilly.com for discounts on ink cartridges.<br />
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4. <em><strong>The Attire</strong></em><br />
Shop vintage stores for your dress or research 20s-style patterns. Having a dress made may be cheaper if you know someone willing to lend his or her sewing skills. In the 20s and 30s, lean silhouettes dominated, hemlines rose to the knee and dropped waists were in fashion. Lady Mary donned long sleeves but the look can still be achieved with cap sleeves, especially when you add over-the-elbow gloves.<br />
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5. <em><strong>The Accessories</strong></em><br />
Lady Mary's gown was simple and conservative, but her accessories added a glamorous touch. Her jeweled headpiece represents a must-have piece and can be picked up for less than $50 or over $400, as seen in this Lucky Magazine feature. Additionally, her cathedral veil offered an ethereal elegance, the likes of which can be purchased on Etsy for as little as $30.<br />
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6. <strong><em>The Flowers</em></strong><br />
Lady Mary carried a simple bouquet of calla lilies, a decidedly frugal choice for such a fancy lady. A small bouquet of larger blooms is the cheaper way to go, and remember to think outside the rose or orchid; even a bouquet composed primarily of baby's breath is elegant in its simplicity.<br />
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7. <em><strong>The Music</strong></em><br />
Complete the theme of your 20s-era nuptials by adding the following artists to your playlist: Louis Armstrong, Fats Waller, Bing Crosby, Helen Kane and Ella Fitzgerald, or simply download a free 20s-era jazz collection. For a more subdued, Lord Grantham-approved soundtrack, stick with strings and orchestra, and "Recreate a Downton Abbey-Style Wedding for Less."<br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-51001853197762923042013-01-31T09:07:00.000-08:002013-01-31T09:07:37.043-08:00THE CHECKERBOARD SET (c) By Polly GuerinFashion’s latest variations on black and white can be a challenge to fashionistas. It’s an easy formula—checkerboard squares, cross stitch graphics and a myriad of stripe variations are the ‘it’ look for spring. <br />
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<strong>BLACK and WHITE PERPLEXED</strong> Not everyone can appreciate the black and white fashion theme—how do we make a white blouse and black pants look new and fresh? The old standby, a stylish white blouse with black pants doesn’t seem all that exciting until you choose a really special designer blouse and spice up the outfit with black and white accessories or graphic shoes. However, too much black and white can make one feel drab. It should not be worn as a uniform but alternated with other color wardrobe choices or checkerboard patterns in yellow or orange.<br />
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<strong>CHECK IT OUT</strong> Not everyone can wear checkerboard squares. Choosing the right black and white checkerboard pattern depends on how you can carry off the look. Large squares may work for one woman but a petite woman would find the pattern overbearing and might opt for smaller squares. Marc Jacobs’ spring collection of black and white checkerboard squares were inspired by the columns of different heights in Paris’ Palais Royal, known as Les Deux Plateau. Get ready, window displays of the black and white theme for select Vuitton boutiques are timed for arrival of the ready-to-wear collection in March. <br />
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<strong>KEEP IT SIMPLE</strong> The black and white trend doesn’t require a lot of jewelry. A delicate gold necklace on a white blouse can add a bit of flair, but chunky pieces just don’t work with the trend. Loud black and white prints take a bit of bravado to carry them off. For novice fashionistas the look can be achieved with just one wardrobe piece, like a checkerboard printed skirt or a black and white animal print top. A word of caution---a head-to-toe black and white wardrobe can be overbearing and few women can carry the look off to satisfaction.<br />
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<strong>COLOR SYMBOLISM</strong> Just how and where the black and white trend emerged is questionable. However, the timing seems just right for the economic climate today. There is powerful symbolism in the look. White evokes simplicity and purity while black symbolizes power and elegance. The effect is never boring. Black and white stimulates and challenges our brain to wake up and move forward. <br />
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<strong><em>BLACK AND WHITE CAN ADD SPICE AND ACTION FOR WARDROBES THAT SPAN FROM DAY INTO EVENING WEAR. IT’S A CLEAN AND PRISTINE WAY OF DRESSING WITH MINIMALIST APPEAL.</em></strong><br />
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-8971582499717910622013-01-29T08:08:00.001-08:002013-01-29T08:22:40.496-08:00CIVILITY IS FASHIONABLE (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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Whatever happened to proper English coupled with politeness and tender conversation? People today seem to have cultivated an abbreviated version of English that is both perplexing and disappointing. I remember my voice teacher, Madame Danova, when she wanted to excuse herself she would say, “Pardonez moi,” or “Excuse me.” Today, instead of “Thank You,” I hear “No Problem.” Just what does that mean? I did not have a problem in the first place so a polite “Thank You” would be appreciated. <br />
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<strong>A NEW LANGUAGE</strong> Greetings in the new jargon need explanation. I was shocked not so long ago, when a college colleague at a university where I taught would greet me with “Yo,” instead of “Hello,” I guess she thought she was being ‘cool,’ or the students had infiltrated her vocabulary to the point that on one occasion she tried to get my attention by saying “Hey!” I did not respond because “Hey,” seemed like a foreign language and I could not fathom how a colleague could speak in such jargon. Instead she could have engaged my interest by saying, “Beg your pardon.” Perhaps I am asking too much from society. It seems to me that even the slightest event is “Awesome,” even if someone is referring to a deli lunch.<br />
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<strong>“UMM” IS NOT A WORD</strong> Judge Judy has it right all the time on her TV show. When an individual responds with “umm” she cuts right into their “umm” and adamantly says, “Umm is not a word!” and they quickly change to “Yes.” She even takes time to berate them about their appearance in court. “Where did you think you were going today? That is not the proper way to dress to come to court.” I wish those words reach some individuals who think nothing about appearing in public places improperly dressed or rather in a state of undress. Isn’t it time to return to civility in every walk of life? <br />
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<strong>DINING IN STYLE</strong> Even corporations are concerned about how their junior executives appear in public with their clients and some go so far as to hire etiquette experts to teach their employees how to dine using the proper utensils and proper conversation, no putting elbows on the table, No iPads, iPods, cells or beepers to interrupt the business luncheon. Weren’t proper table manners something you were supposed to learn at home? Will the loud voices in restaurants ever simmer down? It seems to me that most of the most offensive people who have been plugged into various electronics devices must be somewhat deaf so by necessity they talk so loud that if you are in the immediate adjacency you can hardly hold a conversation with your table guest.<br />
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<strong>NO SUBJECT IS TABOO</strong> Every topic imaginable is out there discussed on television. From the most intimate physical disorders to sexual functions and a myriad of diseases…it’s a wonder anyone feels healthy. Then the list of adverse side effects you could contract, that the ‘so and so medicine’ may have, is enough to make you vomit. When someone affronts you at a party and opens the conversation with some vulgarity, it’s supposed to be funny. You can’t blame the inebriated guy who got into trouble because he grabbed a woman’s boob that was hanging out of her dress. “She asked for it,” he said in defense.<br />
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<strong>CELEBRITY INFLUENCE</strong>. Celebrities cannot be trusted to give the proper message either. What with necklines down to their waist and slits up to their crotch no wonder women who can easily be influenced think that’s the way to dress. It baffles me why nudity is so prevalent. I wonder why they bother to wear the dress at all, but leave it to the paparazzi to expose their brevity as the hottest new thing. There is no better time than now when people need role models that show off their civility with style and good manners.<br />
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I AM NOT SUGGESTING THAT WE GO BACK TO STRICT FORMALITIES, BUT LIKE MANY OTHER PEOPLE I JUST WOULD LIKE TO SEE A RETURN TO MANNERS, POLITENESS AND CONSIDERATION. IN SOME POCKETS OF SOCIETY IT DOES EXIST BUT THE MAIN STREAM POPULATION IS OVERLOADED WITH A LANGUAGE Of QUESTIONABLE INTERPRETATION.<br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-55825062903803578352013-01-11T10:37:00.000-08:002013-01-11T11:21:27.701-08:00FASHION''S DOWNTON ABBEY STYLE (c) By Polly Guerin<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Lady Mary's 1920 Style </td></tr>
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There’s nothing dowdy about the Downton, Abbey!!! Just when World War I was recent history, English aristocrats, Mary, Sybil and Edith adapt 1920s style with the fashions they wear to embrace a new era. The costume look---the dress plus jacket or coat with matching trim goes back to Victorian times but it’s a refreshed version that only the Crawley women could carry off, particularly Mary who wears a going away ensemble that is serious yet quite chic. The good news; the Downton Abbey look is easily adaptable for today’s fashionista and the stores have responded to it with garments that have that special refined look and the dignity of performance for work or social occasions. Simplicity is the rule in Downton Abbey style and young women might take inspiration from it. <br />
<strong>FASHIONISTA’S STYLE </strong>The 1920s look is not all about flamboyant flapper dresses, though there are many on the retail racks, it’s all about choosing accessories as well—like a clock hat which is a close fitting hat that allows peeks of curly hair to peek out at the sides. Other modest brim styles reflect the modest taste of the 20s look. Sheer lace tops add flair to dignify a black skirt for evening wear while a vintage clutch will carry through to any special occasion. Streamlined, sleeveless sheath dresses simplify daywear and bulky jewelry is replaced by demure jewelry or a simple strand of pearls. The Art Deco influence also comes up strong as an accessory theme, especially drop earrings in architectural motifs. <br />
<strong>THE REAL-LIFE DOWNTON</strong> Just where is Downton Abbey? Good question. It’s actually, Highclere, the grand, 175-year old family home in West Berkshire, England, where the adult soap opera is filmed. Today, it is one of the most popular tourist attractions and thanks to the TV drama it has become the popular location for real-life weddings, pricey I might add. It is also the home of Lady Fiona Carnarvon and her husband the Earl of Carnarvon, and legend has it that the family has lived there since 1679. Interesting to note, the home is exactly as it is on television and even the great drawing room where the Dowager Countess (Maggie Smith) holds court.<br />
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<em><strong>HERE’S TO THE RETURN TO ELEGANCE!!! TO THE MANOR BORN CAN BE WORN BY FASHIONISAS WHO DESIRE TO EMULATE DOWNTON ABBEY STYLE. WITH THE RETURN OF REFINED TASTE, FROM HEAD TO TOE, THE COLORS ARE GENTLE BEIGE AND DELICATE PASTELS BY DAY AND BY NIGHT RICH MAROON MONACO BLUE, A DEEP MIGNIGHT NAVY SHADE, UPDATES THE SOCIAL WARDROBE.</strong></em><br />
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<em><br /><strong></strong></em>Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-12002611145218812282012-12-11T07:56:00.000-08:002012-12-12T08:04:26.535-08:00HARTMAN, ROSE: INCOMPARABLE WOMEN OF STYLE (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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Rose Hartman, the quintessential photographer is seen here, seen there, quite frankly she seems to be seen everywhere , and in the course of her journey as a photographer she gained exclusive entre into the world’s most fashionable happenings and access to celebrities and movie stars. One would not have suspected that this powerhouse of energy, determination and drive could have started out in life as a teacher, but she honed her skills and studied the art of photography and from then on she parlayed herself into the good graces of the all-powerful publicists and gained entry to cover the most exclusive clubs, parties and events. And therein is how over the years Rose Hartman was at the forefront of world’s fashionable events from New York to St. Petersburg and Mumbai and beyond. During her remarkable career she has accumulated a vast archive of memorable images and has authored a book, INCOMPARABLE WOMEN OF STYLE, recently published by the ACC Publishing Group. <br />
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<strong>A GORGEOUS VOLUME</strong> The gorgeous volume features more than 100 photographs, including rare vintage silver pints developed by Hartman in her home studio, as well as never-before-seen image of New York City’s underground style icons. She has captured the trend setters for three decades, and in so doing has helped to chronicle and define what we remember most about glamour and those who create Incomparable Women of Style includes both iconic and rarely seen pictures of Nan Kempner, Marisa Berenson, Jackie O, Brooke Astor, Anna Wintour, Paloma Picasso, Diane von Furstenberg and Daphne Guiness, just to mention a few. Her images are never set up, never staged, instead Harman says, “I wait until I see an expression that moves me and then I shoot-not before, not after. I want as much spontaneity as possible.” And that is what makes this book so special; the spontaneity of the images is both riveting and captures a moment in time.<br />
<strong>PHOTOGRAPHER PAR EXCELLENCE</strong> With her photographs appearing in worldwide books and magazines, Hartman has distinguished herself as a photographer of keenest ye; even her candid works has the finish and insight of portraiture. What one fails to realize is that many of the photographs associated with style, an event, and an era, have belonged to Hartman, whether it is Bianca Jagger on a white horse as she enters Studio 54, or Isabella Rossellini at a private dinner in the Hamptons. <br />
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<strong>IN THE BEGINNING</strong> Rose Hartman is a true New Yorker. She was born in Manhattan’s East Village but started to patrol the night scene in 1975 as an arts and society columnist at the SoHo Weekly News. Her first big break was a photo shoot of Joan Hemingway’s wedding in Sun Valley, Idaho where she manage to induce Ernest Hemingway’s wife, Mary, to pose for her relaxing in a hammock. You may not have realized it but her photos have been published in Vogue, Glamour, Vanity Fair, Art & Auction, Harper’s Bazaar, Der Spiegel and many, many more magazines<br />
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INCOMPARABLE WOMEN OF STYLE, BY ROSE HARTMAN, WITH TEXTS BY ANTHONY HADEN-GUEST, ROSE HARTMAN, AND ALISTAIR O’NEILL. ACC EDITIONS, HARDCOVER, 165 PAGES, 132 COLOR ILLUSTRATIONS. Contact: accpublishinggroup.com<br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-14825503421941725842012-12-07T10:38:00.003-08:002012-12-07T10:38:49.873-08:00EMERALD, FASHION'S NEW GREEN (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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Anyone who wanted to enter the Emerald City in the Wizard of Oz was made to wear green-tinted eyeglasses, as an effort to protect their eyes from the “brightness and glory” of the city, but it really just made everything green. Now the emerald era dawns on us once again as fashion decrees “Emerald Green is the color the year 2013,” in fashion, accessories, furnishings, appliances, automobiles and even aviator sunglasses with green polarized lens. This lively, lush, radiant green, number 17-5641 in Pantone’s LLC’s numerical lexicon is the color of beauty, hope, healing and prosperity. Its greatest attribute is that of renewal, rejuvenation and new beginnings, a change for the better. Good reason to adapt emerald green next year. <br />
<strong>THE GREEN REVOLUTION</strong> Just when we thought that the 1980’s green was a thing of the past its recall encompasses a wide swath of products ranging from fashion on the runways like sporty pants suits, dresses and evening gowns. Le Creuset embraces the color and is already selling a full range of cookware in deep green, it calls ‘fennel,’ while Waterford glassware sparkles in green crystal and GMs Chevrolet Camaro concept car is a color they call ‘unripened green.’ Of course, emerald jewelry would make any woman glow with radiant charms. Sleeping in a bed of green JC Penney’s home department will be lush with green components; sheets, bath towels, rugs and bath accessories. <br />
<strong>SYMBOLISM OF GREEN</strong> Emerald green is a refreshing change in the color spectrum. It conjures up lush foliage, the renewal of spring, the harbinger of hope and happiness and the preserver of unconditional love. It also represents abundance; after all it is the color of money, too. Green is a good omen for 2013 as it is the color of harmony, balance and peace. People who gravitate to green have personality traits that include understanding, compassion and generosity. They are nature loving and also have romantic inclinations. To let go of stress picture yourself in an open field of green grass and visualize calm washing over your body bringing with it healing, health benefits. <br />
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DIAMONDS MAY BE FOREVER, BUT AN EMERALD ENGAGEMENT RING BRINGS WITH IT UNCONDITIONAL LOVE. BORN IN MAY, EMERALD IS THE GEMSTONE OF CHOICE!!!<br />
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-36194175424249113962012-11-03T10:09:00.000-07:002012-11-03T10:09:44.602-07:00CAPE, A FASHIONISTA'S DILEMMA (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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Fashion designers always digging into fashion’s historical past by re-introduce the 'Cape,' and I cannot help but wonder why? The cape as a fashion accessory for daytime wear seems like something out of the dim past with limited appeal. It may look great on models, celebrities and superstars on the red carpet, but remember they do not have to daily carry around a handbag or a tote full of a day’s activities. It may entice women who do not have this outerwear style in their wardrobe to purchase a cape, just for the fun of it. However, mere mortals, like most of my friends, may feel less confident about wearing a cape on the street. <br />
<strong>OUT ON A LIMB</strong> Nonetheless, the cape fashion has swept down the runways and designers including Jason Wu, Gucci and L’Wren Scott showed daytime versions, even the capelet, a short version of the cape. Now remember this: the cape is a loose outer garment that falls from the shoulders and typically does not have sleeves. That means your arms are jutting out of slits at the side and are therefore exposed to draftiness and rain or shine. So some kind of cover up is needed for the exposed arms like long gloves, perhaps. Then there is the problem of carrying a purse, and where does one put a chic lady’s backpack? <br />
<strong>THE FASHIONABLE PAST</strong> The cape may have been de rigueur in the days when clothes were somewhat frivolous but with the face-paced lifestyle the cape presents certain mobility issues for the modern woman. There’s no denying, however, that the cape was an important part of traditional dress in centuries past and played a functional role or could be signifiers of rank in societies. However, as an element of high style the cape still has its place. <br />
<strong>THE SWEEPING FASHION</strong> The flowing cape, in silk or plush velvet, worn at an opera opening or the elegant cape dress, in lure brocade, worn by a super star has showstopper appeal, and lends photo opportunity allure when an entertainer tosses a cape over a sensuous satin evening dress. The cape worn by royalty commands respect and signifies dignity of office but for the working woman, it takes a certain bravado and confidence to carry off a cape on any occasion.<br />
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<strong><em><span style="color: red;">WEARING A CAPE CAN BE QUITE A CHALLENGE BUT FASHIONISTAS YOU WANT TO BE IN STEP WITH THE LATEST STYLE TREND WILL FIND CAPES AND CAPELETS IN STORES ALREADY.</span></em></strong><br />
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-38584540337276215222012-10-12T08:22:00.003-07:002012-10-13T07:28:33.545-07:00MAROON, THE NEW BLACK (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #741b47;">Maroon, burgundy, claret, oxblood—call it what you will this deep, sultry color steps up to the fashion plate as the new black. Like a fine wine maroon ages well and with time becomes a staple color in the fashionista’s wardrobe. Why? Because it is a luscious, rich shade that is more lively and dramatic than dead end black. The word maroon comes from the French word marron which means “chestnut,” but the first recorded use of maroon as a color name in English was in 1789. </span><br />
<span style="color: #741b47;"><strong>AUTUMN’S ELEGANT SHADE</strong> On the color scale maroon is a deep, dark red that is part red and deepened with black. It therefore combines the fire and drama of red with the sophistication of black. It is a notice-me color that looks dramatic in shiny satin, delicious in plush velvet, slick in patent leather and royal in bright fur. </span><br />
<span style="color: #741b47;"><strong>FASHION EXPECTATIONS</strong> A cocktail dress in a sumptuous maroon print has more eye catching appeal, while a frilly Victorian-style blouse’s femininity has a royal bearing. Instead of traditional colors look for the sensuous hue in a trench coat or add a dazzling leather clutch to your nighttime ensemble. Ruby red or oxblood stones in costume jewelry are a rich way to convey your dignified persona. </span><br />
<span style="color: #741b47;"><strong>DAYTIME DRAMA</strong> This fabulous color is not marooned in nighttime fashion. A business suit can add panache to the corporate scene, particularly if punctuated with a shiny satin matching blouse. A stylish deep ruby or maroon jacket for the office can be paired with a matching Pucci-like printed dress and the ensemble has haute couture appeal. Of course, this jacket always goes well with the little black dress, especially when you add a necklace fashioned with ruby beads entwined with seed pearls.</span><br />
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<strong><em><span style="color: #741b47;">GET IN STEP WITH FASHION, STRIKE A ROYAL POSE AND DRESS UP WITH STYLE IN MAROON, RUBY, BURGUNDY, CLARET, YES, EVEN OXBLOOD HAS ITS PLACE IN A FASHIONISTA’S WARDROBE.</span></em></strong><br />
<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com7tag:blogger.com,1999:blog-8794775997976982087.post-43310961498396838862012-09-14T12:33:00.000-07:002012-09-14T12:33:51.751-07:00IVY LEAGUE, NEVER OUT OF STYLE (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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“Ah,” said the young lady, “You must be an Ivy League man? I can tell by your attire that you either hail from Yale, Harvard, or Dartmouth.” No wonder she was captivated by his wardrobe, because dating an Ivy League man was quite a feather in a young college girl’s ambition. Why? Well, Ivy League identified with a certain class of individual who attended any one of a group of Ivy League universities having a reputation for scholastic achievement and social prestige. Ivy League was considered an elitist style that identified with class, bearing and distinction but its classic good looks made it an all-American favorite. The Museum at FIT pays homage to Ivy League with the exhibition “Ivy Style,” one of the most enduring clothing styles of the 20th century on view through January 5, 2013. <br />
<strong>ONCE UPON A TIME</strong> While Ivy League or Ivy Style was once the cutting-edge look worn exclusively by young men of means the look has come main stream and has permeated both men’s and women’s fashion collections, and leading designers, such as Tommy Hilfiger and Ralph Lauren, Michael Bastian and Thom Browne call it their own, while other designers pepper their collections with the look. Ivy style spread way beyond the hallowed halls of the elite universities to influence the evolution of men’s classic clothing and has rooted itself info the fashion vocabulary on an international scale. <br />
<strong>ORIGINS OF IVY STYLE</strong> During the interwar years from 1919 to the onset of World War II, classic items, such as tweed jackets and polo coats, were appropriated from the Englishman’s wardrobe, modified and redesigned by pioneering firms such as Brooks Brothers and J. Press for young men on the campuses of elite East Coast colleges. Ivy Style included Shetland tweeds, gray flannels, Oxford button-downs, repp ties, and casual seersucker and madras. From approximately 1945 and the late 1960s Ivy Style spread across the United States and khaki pants and penny loafers were being worn by a whole new, diverse population that included working-class GIs as well as leading jazz musicians. <br />
<strong>THE EXHIBITION ENSEMBLES</strong> The Ivy Style exhibit is arranged thematically in an environment that evokes an Ivy League university campus. The side venues feature typical university settings, such as a classroom, dormitory room, and fraternity house with clothing and accessories appropriate to their use. Another key setting is a ‘university shop,’ the kind of retail establishment that existed in nearly every city in the United States in the mid-20th century. Again, environments feature period objects that enhance the story being told by the garments <br />
<span style="color: red;"><em>WAXING NOSTALGIC I REMEMBER IVY LEAGUE STYLE, BUT I AM NOT A PURIST. WHETHER TWEAKED OR DISTILLED THE FUNDAMENTAL ROOTS OF IVY STYLE ARE FOREVER LINKED TO THE CLASSIC AMERICAN LOOK. </em></span><br />
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<span style="font-size: x-small;">The Museum at FIT, is part of the Fashion Institute of Technology (FIT) and is located at 27th Street and Seventh Avenue. Museum hours are Tuesday-Friday-noon-8pm, Saturday-10am-5pm. Visit fitnyc.edu/museum. </span><br />
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Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-47146915163120144392012-07-13T07:02:00.002-07:002012-07-13T07:06:50.495-07:00PARASOLS: Keep Your Sunnside Up (c) By Polly Guerin<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjWYg5bNNSbdXr3L9R5eeAVkAind_-dgn2KAMbm4ZIUd9AxwITX_UQhpep3pfh5CQRrjqX82LwdvB9wCGurKgtdQM78uijziSib4YBwUfCrzf4Yfoe99-DJjAIpwqnJjBN3oTX15RONh_i/s1600/lady_with_a_parasol_1886_monet_5.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img $ca="true" border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjWYg5bNNSbdXr3L9R5eeAVkAind_-dgn2KAMbm4ZIUd9AxwITX_UQhpep3pfh5CQRrjqX82LwdvB9wCGurKgtdQM78uijziSib4YBwUfCrzf4Yfoe99-DJjAIpwqnJjBN3oTX15RONh_i/s320/lady_with_a_parasol_1886_monet_5.jpg" width="211" /></a>“Mad dogs and Englishmen might go out in the midday sun,” (Noel Coward), but savvy fashionistas know better and avoid the sun’s most penetrating rays at noon. Southern women have always been known for their peaches and cream complexion and this is due to a simple little accessory they carry on torrid days, called a parasol. It’s chic, it’s protection and it’s revival has a lot to do with the incredible heat wave that has blanketed the country. <span style="color: red;">Image: Claude Monet's "Lady With Parasol." </span><br />
<strong>FUN and FUNCTIONAL</strong> A parasol is defined as a lightweight umbrella used as a sunshade especially by women, but I have seen men opening their black practical umbrellas as protection from the sun rays as they dash about the city streets. A stylish umbrella can serve the same purpose as a parasol, and you know you have many to select from in your closet. Choose a pretty feminine floral or charming print to dress up even the most casual outfit while pure white casts a refreshing pristine look to your ensemble. Opt for a solid color parasol to pop a print ensemble. <br />
<strong>PRETTY PAPER PARASOLS</strong> I’ve seen them in China Town, on Broadway in Soho and in boutiques that sell those adorable paper parasols with bamboo spokes. Paper parasols look just like those miniature umbrellas that decorate certain exotic cocktails. Real life incarnations are the modern answer to a woman’s fashionable beat-the-sun prevention without slathering on sunscreen. You can also order them through Parasols.com or LunaBazaar.com. Paper parasols are amazingly reasonable from about $8 to $20. Avoid those tony retailers where parasols are quite pricey. <br />
<strong>AN ANCIENT FASHION</strong> The parasol has a long and storied history dating back to ancient times. Egyptian Queens knew a thing or two about protecting themselves and escaping the desert sun. In historical images depict a loyal servant shading the great lady with a huge parasol-like umbrella. Adding to their charming ways Japanese geishas in the 18th century carried parasols to keep their skin unblemished, and today savvy women are claiming parasols as their own special accessory. <br />
<strong>THE VICTORIAN CANOPY</strong> It was also a Victorian sunblock accessory and its popularity grew due to societal obsession with having a porcelain or fair complexion. Why? Because pale skin was a sure sign that you were a Lady and did not have to work under the sun. Yes, I know in the 1920's getting a suntan became fashionable, but now we have all kinds of warnings about getting skin cancer, and believe me a canopy against the sun is one of the chic solutions. Okay, Getting some healthy sun rays is acceptable, but really, as Noel Coward warns, "Don't go out in the midday sun!!!"<br />
<strong><em><span style="color: red;">YOU DON’T NEED TO BE A PAPER DOLL TO CARRY A PRETTY PAPER PARASOL. IT’S ADORABLE, IT’S CHIC SUNBLOCK AND IT’S A STYLE THAT EVOKES THE IMAGE OF A SAVVY LADY. </span></em></strong><br />
<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-22043726648598859922012-07-05T07:08:00.001-07:002012-07-05T07:08:51.124-07:00JACKET REQUIRED, Tale of The Little Black Jacket (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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You’ve heard of Chanel’s famous ‘little black dress,” now get ready for the ‘little black jacket.’ It’s as basic as you get but this is no ordinary jacket. By Chanel’s standard it’s short, chic and versatile. All the fanfare about the little black jacket came about with publisher Steidl’s forthcoming coffee table book, “The Little Black Jacket: Chanel’s Classic Revisited,” by couture designer, Karl Lagerfeld and stylist extraordinaire, Carine Roitfeld. The book was showcased at a pop-up event which exhibited the book’s 113 portraits of notables displaying the jacket’s versatility. So what’s in it to you? Think ‘little black jacket’ the next time you shop for a ‘must have’ wardrobe accessory. <br />
<strong>LAGERFELD MOBBED</strong> Lagerfeld was mobbed at every turn as he greeted the celebrities and fashionistas. Mr. Lagerfeld, the head designer at Chanel, made his way through the gallery, like a visiting potentate greeting the crowd with sophisticated charm. Such a supreme individual garners accolades and was followed by photographers, videographers and party guests all eager to be photographed with him. Alber Elbaz got so carried away she pulled out her iPhone to take a snap of her own portrait on the wall. Carine Roitfeld was wearing an interpretation of the jacket she had actually constructed from a skirt. “You know Karl, you have to surprise him,” she said of her approach to styling the portraits. Theophilus London who was coaxed into the tweed Chanel creation for the book wore it again to perform at a post-opening dinner at Balthazar. <br />
<strong>BEAUTIFUL PEOPLE</strong> The book features a mix of beautiful people shot in black-and-white wearing a black, tweed Chanel jacket in surprisingly varied effects. An enormous photo of Vogue editor, Anna Wintour’s tweed-jacket-clad back greeted guests as they entered the gallery. Ms. Roitfeld, the former editor of French Vogue, who is now the fashion world’s darling, was also trailed by a video crew shooting a documentary about her fabulous life. You can’t imagine Karl Lagerfeld with children but it appears he has a soft heart for the little ones. Hudson Kroenig, the four year old son of male model and Lagerfeld’s favorite Brad Kroenig exchanged a high-five with Mr. Lagerfeld.<br />
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Like Cinderella, Mr. Lagerfeld did not linger long and exited the building, leaving the Black Jacket crowd holding champagne flutes and admiring each other.<br />
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</div>Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-73911891051461599542012-06-30T08:09:00.002-07:002012-06-30T08:09:43.846-07:00FASHIONISTAS BLAST THE BIG CHILL(c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
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“It’s freezing in my office,” screamed a young office worker into her cell phone as she raced across the steamy hot streets to catch a bus. The temperature did not get any better as the bus was chilled to the bone like a Frigidaire. When she disembarked at her stop she raced into the bank and was hit with a blast of Arctic air that nearly blew her away. It’s summer in the city and sweltering outside and even the cold blast in movie theaters or air-conditioned cafes can raise the alarm that it’s just too, too darn cold for fashionistas. Working in cold temperatures when it’s so hot outside can be a health hazard, and in some cases the incubator for a summer cold. Quite frankly I do not understand why, wherever I go, the chill is raised to such high levels. Dah!!! Doesn’t the electric bill skyrocket? Well, to tackle the problems there are several chic solutions to compete with the big chill. <strong><span style="color: red;">Photo image from the Wall Street Journal. Illustrations by Joy Gilinsky. </span></strong><br />
<strong>WARM UP TECHNIQUES</strong> A basic sleeveless linen dress is an ideal summer wardrobe basic that allows you to prepare for the big chill. Simply pack a Pashmina shawl for the commute to work or keep a shawl tucked away in a drawer in your office desk. Solid color Pashmina’s are okay but try to find one with a paisley or discreet floral weave that adds interest to a solid color sheath dress. When you are presenting at a Board or division meeting, add that professional panache to your sheath dress. A short tailored jacket is youthful and chic in a contrasting color, such as red over a black sheath; cinnamon orange over a royal blue sheath or chartreuse green over a chocolate brown sheath. For further drama keep a stash of good quality, 48-inch scarves in your desk drawer, the kind that you can drape around your shoulders. They always come in handy for extra warmth. Choose prints that do not overwhelm your professional performance but will match you sheath dress. <br />
<strong>DOUBLE BENEFITS</strong> I have never given up on the shell matching cardigan idea and many new versions come in lightweight cotton or synthetics. Fashionistas update the look for evening by removing the shell and adding a matching lace-edged slip of a shell underneath. Remember the golden rule and take a hint from Kate. Skirt hems that say you’re professional skim the knee at work. If something shorter is wanted for the cocktail or club night out, then pack it and change later. Daytime accessories should be discreet and feminine. No dangling earrings that clank and glitter as you present your ideas to management. Save them for evening wear as well as other more dramatic jewelry that conveys a stylish message. <br />
<strong>BIG BAG STASH</strong> Now I understand why all those savvy office gals carry a big bag to carry these add-on items, not to forget the after-work-gym gear. Be sure the satchel or tote is chic and commodious enough to accommodate all the extras you have to carry around. And, please do not put it all into a backpack and look like you’re heading for the hills. Some of the items can be kept permanently at the office, and that’s a good idea because you should keep the big bag as lightweight as possible. And, please do not anchor the straps on one shoulder, it simply distorts your balance and may in time give you the appearance that one shoulder is lower than the other.<br />
<strong><span style="color: red;">IT’S CHALLENGING TO LOOK CHIC, COOL AND COLLECTED IN THE SWELTERING HEAT OF SUMMER BUT EQUALLY CHALLENGING IS THE WAY YOU BLAST THE COLD CHILL IN BUILDINGS, TRANSPORATION, THEATERS AND CAFES. FASHIONISTAS DON’T MELT IN THE SWELTERING HEAT OR FAINT IN THE BIG FREEZE. THEY FIND SOLUTIONS BY LAYERING AND LOOKING CHIC.</span></strong><br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0tag:blogger.com,1999:blog-8794775997976982087.post-51896422758136784242012-06-14T10:44:00.003-07:002012-06-14T10:44:40.391-07:00MODESTY, THE SWIMWEAR COVERUP (c) By Polly Guerin<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDY1P0RA3S72EMeVno0cKhpfROYsMZGs490bTCDdu3uNUYTbxRmG2VzzeRVCuCdSX7RuvBjx_W467pc4nBTb-kzUcO5snVg992ZyDAhGfghumvv-qEeIJA_OUAK04CkXo7UnBbF_KhH5X/s1600/ester-williams-sheeth.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" pca="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDY1P0RA3S72EMeVno0cKhpfROYsMZGs490bTCDdu3uNUYTbxRmG2VzzeRVCuCdSX7RuvBjx_W467pc4nBTb-kzUcO5snVg992ZyDAhGfghumvv-qEeIJA_OUAK04CkXo7UnBbF_KhH5X/s320/ester-williams-sheeth.jpg" width="202" /></a></div>
Pin-Up glamour girl swimwear takes to the waves this summer, giving a new meaning to the word “modesty.” Yes, my dears, it’s time to cover up and the relatively chaste looks can make you feel like a Hollywood starlet. Forget the bikini, it’s out of style and welcome back the sexy one-piece bathing suit in all its glamorous incarnations. To most women this is welcome news. Think Ester Williams, the queen of water ballet or Betty Gable in their seductive yet covered up maillots. <br />
<strong>STYLISH SWIMMING</strong> Thank goodness that the Victorian restrictions of the bathing costume of the 1860s gave way to practical, good-looking, form-fitting swimsuits that make figure curves the focal point of attention. Older women in the 45 plus range favor one-piece suits and young starlets are welcoming modesty as a new stand on femininity. Marc by Marc Jacobs ushered in a charming halter strap, low leg style while Chanel opted for a one strap bodysuit with side shirring. If you want more exposure seek out Land’s End, side drawstring bathing suit that lets you adjust the length of the swimsuit. <br />
<strong>COORDINATING GLAMOUR</strong> When I was vacationing on the fashionable Riviera un France I was inspired by the way French women coordinate the entire swimwear experience. Pool or Oceanside glamour means coordinating a matching billowy sheer, shirt or terry dress in color or a jazzy print, and while you’re at it, strut your stuff wearing a wide-brimmed hat and matching sandals. It’s total fashion impact with a glamour pitch. <br />
<strong>THE SHOPPING TERRORS</strong> Nothing strikes most women with more angst than shopping for a bathing suit. It can be an endless search for the right suit to hide tummies, or to find adequate coverage to hide hips or minimize derrieres. Try the vintage or thrift shops in your area for retro styles or shop the stores for new designer versions. Push up styles enhance the bosom, high hour-glass silhouettes seemingly shrink the waistline and bows and frills are perfectly 'girlie.' <br />
<strong>NIGHTTIME GLAMOUR</strong> Glitter and gilded strapless or one-shoulder swimsuits add sparkle to evening parties, pool, surf or indoors. Just add a long black jersey skirt and your ready to party. I’ve even seen the same ploy used for a cocktail party, this time the wearer wore palazzo pants. Make a splash in a glam suit anytime the mood strikes you. Celebrate the “hourglass Look” and new modest YOU. Darling, you’ve never looked more glamorous!!!<br />
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Polly Guerin<br />
<a href="http://www.pollytalk.com/">http://www.pollytalk.com/</a><br />
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<br />Polly Guerinhttp://www.blogger.com/profile/13350403789639176075noreply@blogger.com0